Tautologies
Cornelis Gijsbrechts
Canvas, 1670
Marcel Duchamp
![]() Bottle Rack, 1917 |
René Magritte
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La Trahison des Images |
![]() Les Deux Mystères, 1966 |
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Jasper Johns
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Flag, 1954-55
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Target, 1969
Flag above white collage, 1955
Two Flags (in six parts), 1973
Three Flags, 1958
Target, 1974
"And in Jasper Johns' work such as his 'Target' and 'Flag' paintings and his ale cans one has a particularly good example of art existing as analytical proposition."
Joseph Kosuth: "Art after Philosophy, part II." Studio International, November 1969, p.161.
Gerhard Rühm
Bild("Image"), 1955
Ben Vautier
mot
("word") 1958
des mots des mots des mots("words words words") 1958
ART
1958
("I am black and beautiful") 1959
rouge
("red") 1960
blanc
("white") 1961
TRUTHS (1961)
Truth exists and is beautiful in its essence, so I communicate and create it on canvas, in letters, or even orally, as thruths such as:
1 + 1 = 2.
price
50 $1964
NOUVEAU
("new") 1965
Kunst
("Art") 1965
noire
("black") 1965
toile
("canvas") 1965
1966
1966
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("canvas 45 cm long") 1966
("not dated") 1966
1989
1990
("I wanted to abandon art but I made art out of it")
("art is a written word")
("the work is here identified with the message")
Billy Apple
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1960
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Tony Conrad
This piece is its name.
1961
Sol LeWitt
Red Square, White Letters, 1962. (Detail.)
On Kawara
SOMETHING
From: "Nothing, Something, Everything", 1963.
LAT.31°25'N
LONG.8°41'E
"Location", 1965
JAN.15,1966
"This painting itself is January 15, 1966".
"Wednesday", 1978
"Wednesday", 1979
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1980
1987
1988
1989
Björn Springfeldt: On Kawara. Continuity/Discontinuity, 1963-1979. Moderna Museet, Stockholm, 1980. (Includes a list of all "Date Paintings" (Today Series) with their subtitles from January 4, 1966 until December 20, 1979.)
Robert Indiana
Zero, 1964
Five, 1964
Eternal Hexagon 6, 1964
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One, 1968
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Heptagon 7, 1975
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Octagon 8, 1975
Yannis Kounellis
Untitled (Paint), 1965Joseph Kosuth
FIVE COLORS AND FIVE WORDS
(neon) 1965
THREE COLOR SENTENCE
(neon) 1965
FIVE WORDS IN ORANGE NEON
(neon) 1965
"Wittgenstein's Color", 1989.
NEON ELECTRICAL LIGHT ENGLISH GLASS LETTERS GREEN EIGHT
NEON ELECTRICAL LIGHT ENGLISH GLASS LETTERS BLUE EIGHT
NEON ELECTRICAL LIGHT ENGLISH GLASS LETTERS RED EIGHT
Clear, Square, Glass, Leaning, 1965.
[Four clear square glass panes leaning to the wall.]
Joseph Kosuth: Nine Paintings with Words as Art, 1966.
ENGLISH
NINE
GREY
CANVAS
RECTANGLE
WORDS
LETTERS
ART
PAINTING
Joseph Kosuth: "Titled (Art as Idea as Idea)".
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Painting
[Dictionary definition.] 1966.
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To Paint [Eight-part entry from etymological dictionary.] 1966. | Water [Dictionary translation: English-to-French.] 1966. |
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Water [Dictionary
definition.] 1966.
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Idea [Entry
from etymological dictionary.] 1966. |
Nothing
[Dictionary translation: English-to-French.] 1967. |
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Nothing [Dictionary
translation:
English-to-Danish.] 1967. |
Meaning [Dictionary
translation: |
Silence [Dictionary
translation: |
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Nothing [Dictionary
translation: |
Nothing [Dictionary definition.] 1967. |
Nothing [Dictionary
translation: |
|
Nothing [Dictionary
translation: |
Art [Dictionary definition.] 1967. |
Ultimate [Dictionary definition.] 1967. |
Terry Atkinson and Michael Baldwin"Map of an area of dimension 12''x12'' indicating 2.304 1/4" squares (Map of itself)", 1967.
"This 'map' has no correspondence with anything else but itself in terms of the spatial indices. It is 'the country itself'."
Michael Baldwin, Charles Harrison, Mel Ramsden: Art & Language in Practice. Vol. 1. Illustrated Handbook. Catalogue Fundaci— Antoni Tˆpies. Barcelona, 1999.
William Anastasi
READING A LINE ON A WALLUntitled, 1967. (Word Mural.)
"Six Sites" (Dwan Gallery, New York, April 1967). Six silk-screened paintings, one for each discrete wall of the gallery. Each painting depicts, on a scale of 90/100, the wall on which it hangs, showing in their appropriate positions the air-vents, the electrical outlets, the picture molding.
"Papering", 1967. Performance version of "Six Sites": Installing wallpaper with the (slightly reduced) image of the wall.Aaron Levy & Jean-Michel Rabaté (eds.): William Anastasi's Pataphysical Society: Jarry, Joyce, Duchamp and Cage. Philadelphia: Slought Books, 2005.
Mel Bochner: Measurements
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Room, 1969
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12" plate, 1994
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Two 12" plates, 1994
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12" X 3, 1997
9' (red), 2000
12" square (spin), 2000
12" transverse (spin), 2000
48" (black red)
+ 12" square (red rider), 2001
12" (side out), 2001
12" insert, 2001
Arman
Accumulation, 1973
Untitled (Rulers), 1998
Lawrence Weiner
A translation from one language to another /
Een vertaling van de ene taal naar de andere.
Spui, Amsterdam, 1996
Tautology in Software Art
Aqeel Ahmad: DHTML Chaos. (<5k DHTML, 2002.)
Tomaki Maeda: [ON|OFF]. (<5k JavaScript, 2002.)
Patrick May: Lightswitch, 2000. A self-documenting web-page.
Paul Poloskov: Square of Useless Information, 2002.
Rixta/3SC: SelfDisassembler, 2000. An assembly program which prints out its own code. Tautology here borders on Escher-style virtuoso self-reference.
Kris Steeves: Guess the number of bytes (<5k, 2001)
Mikolaj Swidzinski: The Other Site. (<5k, 2002.)
Acknowledgment
Jochem van der Spek suggested one of the links.